|
Evolutionary psychology: the new science of the mind (2008) |
David M. Buss |
|
Recapitulation and conclusion, from On the origin of species (1859) |
Charles Darwin |
|
The digital river (1995) |
Richard Dawkins |
|
General summary and conclusion, from The descent of man (1871) |
Charles Darwin |
|
Man: from sociobiology to sociology (1975) |
Edward O. Wilson |
|
The universal people (1991) |
Donald E. Brown |
|
Sociobiology at century's end (2000) |
Edward O. Wilson |
|
Evolution and explanation (2005) |
Steven Pinker |
|
Evolutionary social constructivism (2005) |
David Sloan Wilson |
|
Art and adaptation (1997) |
Steven Pinker |
|
The arts and their interpretation (1998) |
Edward O. Wilson |
|
Art and intimacy: how the arts began (2000) |
Ellen Dissanayake |
|
Arts of seduction (2000) |
Geoffrey Miller |
|
Does beauty build adapted minds? toward an evolutionary theory of aesthetics, fiction, and the arts (2001) |
John Tooby and Leda Cosmides |
|
The uses of fiction (2009) |
Denis Dutton |
|
Getting it all wrong: bioculture critiques cultural critique (2006) |
Brian Boyd |
|
Imagining human nature |
Joseph Carroll, Jonathan Gottschall, John Johnson, and Daniel Kruger |
|
Two worlds: the ghost and the machine (2008) |
Edward Slingerland |
|
Consilient literary interpretation (2002) |
Marcus Nordlund |
|
Humanism and human nature in the Renaissance (2005) |
Robin Headlam Wells |
|
The reality of illusion (1996) |
Joseph Anderson |
|
Darwin and the directors: film, emotion, and the face in the age of evolution (2003) |
Murray Smith |
|
What snakes, eagles, and rhesus macaques can teach us (2008) |
David Bordwell |
|
Homeric women: re-imagining the fitness landscape (2008) |
Jonathan Gottschall |
|
New science, old myth: an evolutionary critique of the Oedipal paradigm (2001) |
Michelle Scalise Sugiyama |
|
The wheel of fire and the mating game: explaining the origins of tragedy and comedy (2005) |
Daniel Nettle |
|
Jealousy in Othello (2007) |
Marcus Nordlund |
|
Wordsworth, psychoanalysis, and the "discipline of love" (2000) |
Nancy Easterlin |
|
Vindication and vindictiveness: Oliver Twist (2007) |
William Flesch |
|
The cuckoo's history: human nature in Wuthering Heights (2008) |
Joseph Carroll |
|
Human nature, utopia, and dystopia: Zamyatin's We (2002) |
Brett Cooke |
|
Paternal confidence in Zora Neale Hurston's "The gilded six-bits" |
Judith P. Saunders |
|
Character in Citizen Kane (1996) |
Joseph Anderson |
|
Convention, construction, and cinematic vision (1996/2008) |
David Bordwell |
|
Art and evolution: the avant-garde as test case: Spiegelman in the narrative corpse (2008) |
Brian Boyd |
|
Literature, science, and a new humanities (2008) |
Jonathan Gottschall |
|
Slash fiction and human mating psychology (2004) |
Catherine Salmon and Donald Symons |
|
Cultural variation is part of human nature: literary universals, context-sensitivity, and "Shakespeare in the bush" (2003) |
Michelle Scalise Sugiyama |
|
Paleolithic politics in British novels of the longer nineteenth century |
Joseph Carroll, Jonathan Gottschall, John Johnson, and Daniel Kruger |
|
Evolutionary psychology: the new science of the mind (2008) |
David M. Buss |
|
Recapitulation and conclusion, from On the origin of species (1859) |
Charles Darwin |
|
The digital river (1995) |
Richard Dawkins |
図書
ＥＢ
