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Introduction: Vamping 'til ready |
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Three ways of looking at a yardbird : Charlie Parker and the theorization of jazz improvisation in the work of Ralph Ellison, James Baldwin, and LeRoi Jones/Amiri Baraka |
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Black is, black ain't : violence, black masculinity, and the novel as democratic symbol |
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Cutting session : Baldwin as prizefighting intellectual, Baldwin as improvising intellectual |
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Improvising over the changes : improvisation as intellectual and aesthetic practice in the transitional poems of LeRoi Jones/Amiri Baraka |
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Coda |
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Introduction: Vamping 'til ready |
|
|
Three ways of looking at a yardbird : Charlie Parker and the theorization of jazz improvisation in the work of Ralph Ellison, James Baldwin, and LeRoi Jones/Amiri Baraka |
|
|
Black is, black ain't : violence, black masculinity, and the novel as democratic symbol |
|