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Ghostreaders and diaspora-writers: four theses on the FBI and African American modernism |
William J. Maxwell |
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Raising Muscovite ducks and government suspicions: Henry Roth and the FBI |
Steven G. Kellman |
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Telling stories from Hemingway's FBI file: conspiracy, paranoia, and masculinity |
Debra A. Moddelmog |
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Most wanted: Claude McKay and the "black specter" of African American poetry in the 1920s |
Josh Gosciak |
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Madness, paranoia, and Ezra Pound's FBI file |
Karen Leick |
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Investigative savagery: figuring Hoover in Richard Wright's Savage Holiday |
Andrew Strombeck |
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"Poetess probed as red": Muriel Rukeyser and the FBI |
Jeanne Perreault |
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An archive of the (political) unconscious: Jean Renoir at the FBI |
Christopher Faulkner |
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New information from the FBI, CNDI LA-BB-1: the surveillance of Bertolt Brecht's telephone in Los Angeles |
Alexander Stephan, translated by Emily Banwell |
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Sour notes: Hanns Eisler and the FBI |
James Wierzbicki |
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Communism, perversion, and other crimes against the state: the FBI files of Klaus and Erika Mann |
Andrea Weiss |
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Extorting Henry Holt & Co.: J. Edgar Hoover and the publishing industry |
Claire A. Culleton |
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Ghostreaders and diaspora-writers: four theses on the FBI and African American modernism |
William J. Maxwell |
|
Raising Muscovite ducks and government suspicions: Henry Roth and the FBI |
Steven G. Kellman |
|
Telling stories from Hemingway's FBI file: conspiracy, paranoia, and masculinity |
Debra A. Moddelmog |
